INTERVIEW Magazineのインスタグラム(interviewmag) - 1月25日 01時43分

The Negro Motorist Green Book, an annual guidebook for black travelers during the Jim Crow era, was published from 1936 to 1966. The book lists businesses that were willing to serve black Americans. It covered the majority of the United States and was indispensable in helping millions navigate a precarious landscape marred by racial terrorism, from vehicle searches and intimidation to “Sundown Towns” (places that banned African Americans from entering city limits after dark). In his new show at the Museum of Arts and Design, “Sanctuary,” artist Derrick Adams explores the idea of refuge, travel, and what the artist calls “a very American story.” “It wasn’t like I wanted to remake or glamorize the Green Book,” the Brooklyn-based artist admits. “I wanted to talk about what it represented for people at the time. In a way that’s less literal. This particular body of work is about having people empathize with the idea of what it means to travel, to have borders, to have accessibility.”
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