タンディ・ニュートンのインスタグラム(thandieandkay) - 5月7日 22時31分

Repost from
@hazel.lps.official "I'm sorry, this is just another appreciation post as I have looked through all of @タンディ・ニュートン posts and I have realised that I shouldn't be insecure about my sexuality and my beliefs in black/women's rights. Thandie, (and Kay) thankyou so much for providing preach on your page it's helped me come out of my shell. Every time I look at your page I become more motivated to stand out from the crowd and be unique, not just in my appearance but in my beliefs. Rather than shyness I should actually stand up for what I believe in. Thandie, I won't bother you again with one of these posts. Xxx Your favourite Lesbian." ▫️▫️▫️▫️▫️▫️▫️▫️▫️▫️▫️▫️▫️▫️▫️▫️
Photograph of sculpture Edmonia “Wildfire” Lewis (1844-1907), stands out for her courage and willingness to live a life defined by her own sense of agency and independence. Despite her mixed racial/ethnic heritage, she is considered one of a few African-American artists to develop a fan base that crossed racial, ethnic and national boundaries — and the first to develop a reputation as an acclaimed sculptor, which would later give her access to circles that generally excluded people of color and women. While many have speculated about her sexuality — given her close associations with women and her androgynous style of dress — Lewis was a transformational figure who used her art to capture the historical legacies of women, African Americans and other figures central to black culture and the American Civil War. KayX

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