I ran across this photo this morning and it brought back a lot of memories and an early lesson I learned - I shot this in March of 2005, it's a light painting of my friend @chuckfryberger in #ClearCreekCanyon. I used a 2 Million candle power flood light I had picked up at an auto parts store for about $20 bucks to light it; Chuck had to hold position perfectly still for about 10 seconds while I painted the beam of light in this strip, up and down the #climb. I had learned the lighting technique from my friend @daveblackphoto a few months prior. Dave is truly the master of this technique, and watching him wave around a flood light like a wizard making magic inspired me. Had Dave shot this it would be have been a master piece, this however was my first crude attempt at #LightPainting and at the time I was thrilled about the photo. I sent it over to my friend @jthesenga, who was the Editor in Chief @climbingmagazine then. He said "Its a little out there, but were actually doing a story on 'Secret Climbing Areas' and this would work perfect for the cover." Both Chuck and I were psyched, but more than anything I learned this: This photo ran because it was applicable, NOT because it was great (which it isn't, it's just different). In the editorial world, publications are always in need of images that tell the story, not solely pretty imagery. The more techniques you can learn as a photographer strengthens your opportunities to get photos that tell the story, it also makes photography more fun! Never lean on a single technique that works, keep experimenting and pushing! @rob_pizem

ladzinskiさん(@ladzinski)が投稿した動画 -

Keith Ladzinskiのインスタグラム(ladzinski) - 11月28日 01時24分


I ran across this photo this morning and it brought back a lot of memories and an early lesson I learned - I shot this in March of 2005, it's a light painting of my friend @chuckfryberger in #ClearCreekCanyon. I used a 2 Million candle power flood light I had picked up at an auto parts store for about $20 bucks to light it; Chuck had to hold position perfectly still for about 10 seconds while I painted the beam of light in this strip, up and down the #climb. I had learned the lighting technique from my friend @daveblackphoto a few months prior. Dave is truly the master of this technique, and watching him wave around a flood light like a wizard making magic inspired me. Had Dave shot this it would be have been a master piece, this however was my first crude attempt at #LightPainting and at the time I was thrilled about the photo. I sent it over to my friend @jthesenga, who was the Editor in Chief @climbingmagazine then. He said "Its a little out there, but were actually doing a story on 'Secret Climbing Areas' and this would work perfect for the cover." Both Chuck and I were psyched, but more than anything I learned this: This photo ran because it was applicable, NOT because it was great (which it isn't, it's just different). In the editorial world, publications are always in need of images that tell the story, not solely pretty imagery. The more techniques you can learn as a photographer strengthens your opportunities to get photos that tell the story, it also makes photography more fun! Never lean on a single technique that works, keep experimenting and pushing! @rob_pizem


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