On September 10th, the exhibition 'A Different Vision on Fashion Photography’ will open at #KunsthalRotterdam @kunsthal Presented as a visual journey about my passions and obsessions, the exhibition features nine galleries, the first being about the birth of the Supermodels. On the 1988 ‘White Shirts’ images, curator @thierrymaximeloriot explains: Back in 1988, ten years after moving from Düsseldorf to Paris to pursue his photographic career, Peter Lindbergh garnered international acclaim and launched the careers of a new generation of models because of one particular image he had recently taken of them. The photograph showed the models, barely known back then, unpretentious, giggling together on the beach, all dressed in white shirts and hardly any makeup, with no retouching in post-production. It was first turned down by American Vogue, as the magazine thought it did not reflect the magazine’s vision at the time. Lindbergh preferred to show strong and independent women, because he could not relate to the images of overly styled women the magazine featured. In January 1988, Lindbergh had gone to the beach in Santa Monica with #LindaEvangelista, #KarenAlexander, #ChristyTurlington, #EstelleLefebure, #TatjanaPatitz and #RachelWilliams. He asked Carlyne Cerf de Dudzeele, the fashion editor, to bring only white shirts, no recognizable fashion. The result was a shock and a revelation in contrast to what had previously been done in fashion photography. As Lindbergh remembers: Back with the images, they just looked at them and put them in a drawer after asking me: ‘What are we supposed to do with THIS?’ When Anna Wintour took over editorship of Vogue USA in July 1988, she discovered the images rejected by her predecessors. Lindbergh had given the photographs to Liz Tilberis, then editor-in-chief at British Vogue, who decided to publish them in the October issue. Years later, in the book 100 Years of Vogue, the white shirt image was named the most important image of the 1980s. @carlynecerfdedudzeele @juliendys @karenalexanderofficial @lindaevangelista @tatjanapatitz @estellelefebure66 @rachel_williams1 @cturlington #PeterLindbergh @gagosiangallery @2bmanagement

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ピーター・リンドバーグのインスタグラム(therealpeterlindbergh) - 8月28日 00時27分


On September 10th, the exhibition 'A Different Vision on Fashion Photography’ will open at #KunsthalRotterdam @kunsthal Presented as a visual journey about my passions and obsessions, the exhibition features nine galleries, the first being about the birth of the Supermodels. On the 1988 ‘White Shirts’ images, curator @thierrymaximeloriot explains: Back in 1988, ten years after moving from Düsseldorf to Paris to pursue his photographic career, Peter Lindbergh garnered international acclaim and launched the careers of a new generation of models because of one particular image he had recently taken of them. The photograph showed the models, barely known back then, unpretentious, giggling together on the beach, all dressed in white shirts and hardly any makeup, with no retouching in post-production. It was first turned down by American Vogue, as the magazine thought it did not reflect the magazine’s vision at the time. Lindbergh preferred to show strong and independent women, because he could not relate to the images of overly styled women the magazine featured. In January 1988, Lindbergh had gone to the beach in Santa Monica with #LindaEvangelista, #KarenAlexander, #ChristyTurlington, #EstelleLefebure, #TatjanaPatitz and #RachelWilliams. He asked Carlyne Cerf de Dudzeele, the fashion editor, to bring only white shirts, no recognizable fashion. The result was a shock and a revelation in contrast to what had previously been done in fashion photography. As Lindbergh remembers: Back with the images, they just looked at them and put them in a drawer after asking me: ‘What are we supposed to do with THIS?’ When Anna Wintour took over editorship of Vogue USA in July 1988, she discovered the images rejected by her predecessors. Lindbergh had given the photographs to Liz Tilberis, then editor-in-chief at British Vogue, who decided to publish them in the October issue. Years later, in the book 100 Years of Vogue, the white shirt image was named the most important image of the 1980s. @carlynecerfdedudzeele @JULIEN D'YS @karenalexanderofficial @リンダ・エヴァンジェリスタ @tatjanapatitz @estellelefebure66 @rachel_williams1 @クリスティー・ターリントン #PeterLindbergh @gagosiangallery @2bmanagement


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