アマンダ・デ・カディネットのインスタグラム(amandadecadenet) - 3月10日 23時58分

#Repost @girlgazeproject- Our incredible committee member @lynseyaddario Secret War Crime @TIME Magazine Cover story by @arynebaker with Lynsey's pictures. #itswhatido ( link in Bio ). Lynsey Addario shares her story: "I have been photographing victims of rape as a weapon of war for over 10 years now, and it is always an extremely difficult and sensitive story to cover.
Once I went over the guidelines with Ayak – in terms of how she felt about being photographed, given that her image would be seen by thousands around the world – I spent several hours with her. She was a very thoughtful, articulate woman, and despite the sexual assault that led to her pregnancy, and the horrors she had experienced in South Sudan, she was excited about the imminent birth of her child.
I contemplated possible additional photographs in my head as I fell asleep, and when I woke up the next morning, I knew I wanted Ayak’s photograph to speak to the consequences of rape as a weapon of war. The most natural way for me to do this was to focus on her belly.
I didn’t want to ask something of her she might find distressing or disrespectful, so I asked Kimberly L. Smith from Make Way Partners what she thought, and together, we went to Ayak to ask how she felt about being photographed without her dress on.We sat down with Ayak, and discussed my vision for her portrait, and she didn’t hesitate at all; she understood what I was trying to convey, and as I photographed, I showed her the images on my camera to ensure she understood what I was capturing. Over time, Ayak’s body language changed: she stood proudly, more confidently, at peace. It seemed that the very act of photographing Ayak and her unborn child gave her the opportunity to celebrate the very thing her perpetrators had tried to rob from her – her beauty and her dignity.
For two days, we all shared deeply personal experiences, which often culminated in tears, and sometimes, oddly, in laughter. Photographing Ayak and listening to her story was a privilege – and an extremely positive, intimate moment amongst three women who had all, in fact, experienced some form of rape or sexual assault as a weapon of war in our lives."

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