VETEMENTS' DEMNA GVASALIA MAKES HIS BALENCIAGA DEBUT: This morning in Paris, Vetements’ designer and new artistic director of Balenciaga, #DemnaGvasila, made his debut for @balenciaga. Showing just days after his last collection for Vetements, the Georgian-born designer and his collaborators – like Lotta Volkova – took over a TV studio to "reimagine" the signature architecture of founder Cristobal Balenciaga. Described as “a series of couture attitudes transforming a modern, utilitarian wardrobe”, the collection was shown on a mixture of street cast faces and models, and sought to answer the question of how the legacy of Balenciaga could be placed in a new context. It began with couture-style suiting in black and grey, before spinning into structured puffa and ski jackets, lurex knitwear, and the kind of more-is-more, vintage-inspired floral dresses that have become a staple at Vetements. Accessories consisted of secretary glasses with supersized chains, clompy platform-heeled boots and colourful leather shoppers. Backstage, Gvasalia spoke of “challenging” himself, and described the line between his own signatures and those taken from the house’s archives. “The most Balenciaga was the architecture of those garments, and most me was the choice of garments,” he said. “The wardrobe approach – we tried to construct the attitude into the garments themselves. Normally for me, attitude is one of the key elements”. On the topic of what luxury means today. his words resonated with current conversations spinning around the pace of fashion. “It is time. I think time is the most luxurious thing in the world. And youth. Youth is freedom.” The show notes described the collection as “a translation, not a reiteration. A new chapter.” With the refined silhouettes and craftsmanship of a couture house colliding with the attitude of what has become the industry’s most buzzed-about brand, that couldn’t be more true. At the end, Gvasalia did not take a bow, instead choosing to keep the focus on the clothes. “I'm a very complex person and I think what says ‘hi’ is the work that we do – that is the most important element of fashion." - words @emmahopeall. ? @isabellaburley

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VETEMENTS' DEMNA GVASALIA MAKES HIS BALENCIAGA DEBUT:

This morning in Paris, Vetements’ designer and new artistic director of Balenciaga, #DemnaGvasila, made his debut for @Balenciaga. Showing just days after his last collection for Vetements, the Georgian-born designer and his collaborators – like Lotta Volkova – took over a TV studio to "reimagine" the signature architecture of founder Cristobal Balenciaga.
Described as “a series of couture attitudes transforming a modern, utilitarian wardrobe”, the collection was shown on a mixture of street cast faces and models, and sought to answer the question of how the legacy of Balenciaga could be placed in a new context. It began with couture-style suiting in black and grey, before spinning into structured puffa and ski jackets, lurex knitwear, and the kind of more-is-more, vintage-inspired floral dresses that have become a staple at Vetements. Accessories consisted of secretary glasses with supersized chains, clompy platform-heeled boots and colourful leather shoppers.
Backstage, Gvasalia spoke of “challenging” himself, and described the line between his own signatures and those taken from the house’s archives. “The most Balenciaga was the architecture of those garments, and most me was the choice of garments,” he said. “The wardrobe approach – we tried to construct the attitude into the garments themselves. Normally for me, attitude is one of the key elements”. On the topic of what luxury means today. his words resonated with current conversations spinning around the pace of fashion. “It is time. I think time is the most luxurious thing in the world. And youth. Youth is freedom.” The show notes described the collection as “a translation, not a reiteration. A new chapter.” With the refined silhouettes and craftsmanship of a couture house colliding with the attitude of what has become the industry’s most buzzed-about brand, that couldn’t be more true. At the end, Gvasalia did not take a bow, instead choosing to keep the focus on the clothes. “I'm a very complex person and I think what says ‘hi’ is the work that we do – that is the most important element of fashion." - words @emmahopeall. ? @isabellaburley


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