Watching Shia with Shia in a room of people watching Shia: As the runaway success of Gogglebox proved, watching people watch things is fascinating. So when I turned up at the Angelika Film Centre in NYC at around 2pm yesterday, two hours after #ShiaLaBeouf’s performance art piece/movie-marathon #ALLMYMOVIES began, I was feeling pretty excited. Along with collaborators Luke Turner and Nastja Säde Rönkkö, the actor-turned-provocateur is streaming every movie he’s ever been in, back to back and in reverse chronological order, over a three day period. Visitors are invited to watch the films for free alongside LaBeouf, who will be sat in the theatre for the duration of the screenings, capturing his reactions via live stream. With actual Shia now firmly in sight, I settled into my seat and realised we were watching Fury. I have never seen this movie but as far as I can tell it’s mainly about Brad Pitt shooting people’s legs off with green lasers. Everyone else seemed genuinely absorbed by the film, while I kept sneaking peeks at Shia. Every time he shifted in his seat I wondered if it was a response to the movie or to his gently numbing body, stiff from hours in the same shape. Will he laugh? I wondered. Will he cry? Does Shia move Shia? It seemed as though I was the only person looking at him, not focusing on his work, and I began to feel awful for it. Suddenly aware of my own culpability in the cult of his celebrity. Themes of visibility and voyeurism run through LaBeouf’s performance art work (the I AM NOT FAMOUS paper bag, the hour long stare out with Aimee Cliff) and this is no exception. Watching a Shia LaBeouf movie but presented with the option of watching Shia-the-celeb, I ended up choosing the latter, making me hyper aware of my voyeuristic interest in his life, and all the responsibilities that entails. It was uncomfortable. But not so uncomfortable that I won’t be going back on Thursday to catch Holes. – words @k.loftus.ob #dazedinstastory ? Shia watching Shia, via livestream @thecampaignbook

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Dazed Magazineのインスタグラム(dazed) - 11月12日 00時51分


Watching Shia with Shia in a room of people watching Shia:

As the runaway success of Gogglebox proved, watching people watch things is fascinating. So when I turned up at the Angelika Film Centre in NYC at around 2pm yesterday, two hours after #ShiaLaBeouf’s performance art piece/movie-marathon #ALLMYMOVIES began, I was feeling pretty excited. Along with collaborators Luke Turner and Nastja Säde Rönkkö, the actor-turned-provocateur is streaming every movie he’s ever been in, back to back and in reverse chronological order, over a three day period. Visitors are invited to watch the films for free alongside LaBeouf, who will be sat in the theatre for the duration of the screenings, capturing his reactions via live stream.
With actual Shia now firmly in sight, I settled into my seat and realised we were watching Fury. I have never seen this movie but as far as I can tell it’s mainly about Brad Pitt shooting people’s legs off with green lasers. Everyone else seemed genuinely absorbed by the film, while I kept sneaking peeks at Shia. Every time he shifted in his seat I wondered if it was a response to the movie or to his gently numbing body, stiff from hours in the same shape. Will he laugh? I wondered. Will he cry? Does Shia move Shia?

It seemed as though I was the only person looking at him, not focusing on his work, and I began to feel awful for it. Suddenly aware of my own culpability in the cult of his celebrity. Themes of visibility and voyeurism run through LaBeouf’s performance art work (the I AM NOT FAMOUS paper bag, the hour long stare out with Aimee Cliff) and this is no exception. Watching a Shia LaBeouf movie but presented with the option of watching Shia-the-celeb, I ended up choosing the latter, making me hyper aware of my voyeuristic interest in his life, and all the responsibilities that entails. It was uncomfortable. But not so uncomfortable that I won’t be going back on Thursday to catch Holes. – words @k.loftus.ob #dazedinstastory ? Shia watching Shia, via livestream @thecampaignbook


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